Daniel Horne: Fantasy Art, Horror & Classic Monster Paintings!
Have you ever been captivated by a piece of art that seemed to transport you to another realm, a world of classic horror and fantastical wonder? Daniel R. Horne is an artist who consistently achieves this, weaving intricate tales of monsters, heroes, and the spaces in between with every brushstroke.
The art world is a vast and varied landscape, populated by creators of all styles and disciplines. Yet, some artists possess a certain magic, a unique vision that sets them apart. For those drawn to the thrilling embrace of classic horror and the boundless horizons of fantasy, Daniel R. Horne's work offers an unparalleled experience. He's not just a painter; he's a storyteller, a sculptor, and a meticulous doll maker, crafting intricate worlds that invite viewers to lose themselves in the shadows and dreams.
| Daniel R. Horne: Bio & Professional Information | |
|---|---|
| Full Name | Daniel Robert Horne |
| Birth Date | 1960 |
| Birth Place | Pittsburgh, Pennsylvania |
| Occupation | Painter, Sculptor, Doll Maker |
| Artistic Style | Classic Horror, Fantasy |
| Known For | Magazine Covers, Gallery Paintings, Art Dolls |
| Notable Works | "Saving the Best for Last" (Dragon Magazine #126 Cover), Arcadia (Spectrum Cover) |
| Featured In | Dragon Magazine, Spectrum, Monsters from the Vault, Screem Magazine, Make-Up Artist Magazine |
| Years Active | 36+ years |
| Collection Locations | Private collections from Hong Kong to New York City |
| Commission Inquiries | Contact Daniel R. Horne directly for special art commissions. |
| Facebook Page | The Official Facebook Page for the Art of Daniel Robert Horne |
| Reference Website: While a single definitive website isn't provided, exploring online art galleries and magazine archives featuring his work offers comprehensive insights. |
My own introduction to Horne's artistry occurred in 1987, when his painting, "Saving the Best for Last," graced the cover of Dragon Magazine issue 126. The impact was immediate and profound. It was more than just an image; it was an invitation into a world where imagination reigned supreme and the boundaries between reality and fantasy blurred. Looking back, I suspect I had encountered his work previously, perhaps unknowingly, amidst the sea of fantasy art that defined the era. But it was this particular cover that solidified my appreciation for his unique talent.
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The cover of Dragon #126 wasn't merely a beautiful image; it was a carefully constructed narrative condensed into a single frame. The title itself, "Saving the Best for Last," hinted at the treasures within the magazine's pages, but also resonated with Horne's dedication to his craft. He wasn’t just creating art; he was curating an experience, offering a glimpse into the darker, more enchanting corners of the imagination.
Horne's artistic journey, spanning over three and a half decades, has been marked by a remarkable versatility. From the mass appeal of paperback covers and the whimsical charm of children's books to the prestige of gallery paintings and the singular allure of one-of-a-kind art dolls, his output defies easy categorization. His works are coveted by collectors across the globe, from the bustling metropolis of Hong Kong to the artistic hub of New York City, a testament to the universal appeal of his vision.
Born in Pittsburgh, Pennsylvania, in 1960, Horne’s artistic sensibilities were likely nurtured by the city's rich cultural landscape and the pervasive influence of classic horror and fantasy literature. He wasn’t simply recreating monsters; he was imbuing them with a depth of character and emotion often overlooked in the genre. His Lon Chaney piece, an oil on masonite measuring 18x24, captures the tragic beauty of the "false vampire" with breathtaking detail, showcasing Horne's mastery of light and shadow.
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His portfolio is a testament to his range. Consider the chilling depiction of Henry Hull from "Werewolf of London," rendered in graphite on paper. The 11x14 unframed piece, priced at $300.00, captures the tortured soul beneath the lycanthropic curse. Then there's "As the Wolfman," another powerful rendering of classic monster lore. These aren't mere recreations; they are insightful explorations of the human condition as viewed through the lens of horror.
The availability of his work extends beyond original pieces. Limited edition canvas prints, such as the 16x20 unframed unstretched giclee print, offer collectors a chance to own a piece of Horne's vision at a more accessible price point. Each print is a testament to his commitment to quality and his desire to share his art with a wider audience.
Daniel's contributions extend far beyond individual paintings and sculptures. His art has graced the covers of some of the genre's most respected publications. His painting "Arcadia" earned the coveted cover spot on Spectrum: The Best of Fantastic Art, a testament to its exceptional quality and impact. He has also created captivating covers for Monsters from the Vault and Screem Magazine, further solidifying his status as a leading figure in the world of horror and fantasy art. A fine interview in Make-Up Artist Magazine provided further insight into his creative process and inspirations.
The fact that Daniel's classic monster paintings are held in private collections speaks volumes about their enduring appeal. He isn't simply painting monsters; he's capturing the essence of a genre, preserving its history, and reimagining its possibilities for future generations.
Consider the giclee print on canvas, signed by the artist in the lower right-hand corner and numbered "ap 3/5" in the lower left corner. The sight, approximately 35 ¾ x 23 ½”, offers a glimpse into the meticulous detail and craftsmanship that defines Horne's work. These prints are more than just reproductions; they are artifacts, imbued with the artist's spirit and vision.
Daniel Horne's professional journey, spanning over thirty-six years, is a testament to his dedication and passion. His ability to seamlessly transition between different mediums and styles, from paperback covers to gallery paintings and art dolls, demonstrates his exceptional talent and unwavering commitment to his craft. His art is not confined to museums or galleries; it resides in the hearts and minds of those who appreciate the power of imagination and the beauty of the macabre.
From the sprawling cityscape of Hong Kong to the vibrant art scene of New York City, Daniel's art finds its home in numerous private collections, solidifying his place as a globally recognized and respected artist. He invites those interested in acquiring or commissioning a piece to contact him directly, fostering a personal connection between artist and collector.
It's easy to get lost searching. "We did not find results for:" becomes a familiar refrain when chasing down specifics online. "Check spelling or type a new query," the search engines politely suggest. But the essence of Daniel R. Horne's art transcends the limitations of search algorithms. It resides in the brushstrokes, the shadows, the stories whispered from canvas to viewer. His work is a testament to the power of imagination, a celebration of the macabre, and an invitation to explore the boundless realms of fantasy. He is, without a doubt, an artist worth discovering.
All art is the work of daniel r. Horne painter, sculptor, doll maker. If you are a fan of classic horror and fantasy look no further we've got it all here for you. If you would like to commission daniel for a special piece of art, just drop him a line.
lon chaney as the false vampire oils on masonite 18x24 #lon chaney# The art of daniel horne explore work.
Horne 11x14 unframed graphite on paper $300.00 henry hull from werewolf of london by daniel r. Horne 11x14 unframed graphite on paper $300.00: Edition, canvas prints for sale (click image for larger picture): As the wolfman by daniel r. Horne 16x20 unframed unstretched giclee print on canvas ltd.
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